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www.violinist.com
REVIEW: 2022 Indianapolis Competition Concerto Finals Day 2: Claire ...
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For the Record, Op. 212: Nicolas Dautricourt's 'Enescu Project'
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Interview: Joshua Bell and Larisa Martínez Bring Together Voice and Violin
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Hilary Hahn, Time for Three Among 2023 Grammy Nominees
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Violinist Anne Akiko Meyers Joins Juilliard Board of Trustees
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Stradivarius and Beyond: The Italian Violin Maker Lorenzo Storioni
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V.com weekend vote: What kind of ear protection do you use (if any)?
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For the Record, Op. 250: Sitkovetsky Trio; Telegraph Quartet; Aline Homzy
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REVIEW: TwoSetViolin and the SSO - 4 Million Subscriber Concert
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A Conversation About Pirastro Strings
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Violin Technique: How to Play Clean, Strong Chords
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Strategies for Fixing Last-Minute Errors in Violin Performances and ...
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For the Record, Op. 209: Augustin Hadelich; The Knights; Ambroise ...
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TwoSet Violin to Perform on Stradivaris with the Singapore Symphony
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Interview with Lisa Batiashvili: the Sibelius Violin Concerto, and Life ...
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Master Class with Violinist Catherine Cho; Recital with Randall Goosby ...
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Violinist Vijay Gupta's Skid Row 'Schubertiade'
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Betty Haag and a New Generation of Violinists - NSCMF 2024
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The Week in Reviews, Op. 433: Brendon Elliott, Gil Shaham, Simone Lamsma
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Book Review: The Violin Conspiracy by Brendan Slocumb
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Review: The New KorfkerRest Luna Shoulder Rest by Pirastro
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Making the Transition from Violin to Viola, with Dr. LeeAnn Morgan
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Review: Mahler 6 with Gustavo Dudamel and the LA Phil
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Fundamental Violin Techniques: How to Hold the Bow
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The Week in Reviews, Op. 428: Jennifer Koh and Jaime Laredo; Geneva ...
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Violinists Anne Akiko Meyers, Curtis Stewart, Peter Herresthal Among ...
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Interview with Violinist Dmitro Udovychenko, Winner of the 2023 ...
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Basil Vendryes Premieres William Hill’s Viola Concerto
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Remembering Cellist and Pedagogue Rick Mooney (1953-2023)
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Violinist David Bernat to Join Formosa Quartet
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Conversation and Q&A with Violinist Itzhak Perlman
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The Week in Reviews, Op. 451: Njioma Grevious; Anne Akiko Meyers; Colin ...
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Violin Technique: Whatever We Practice, We Learn. (For Better or Worse)
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For the Record, Op. 214: Vilde Frang; ARC Ensemble; Violist Rose Wollman
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