Imagine a setting sleazier than Henenlotter’s New York, weirder than Waters’ Baltimore, and more dangerous than Carpenter’s post-apocalyptic Los Angeles. Welcome to the Scala in London’s King’s Cross, ...
The histories of modern alternative cinemas and punk are oddly intertwined. Maybe it’s just coincidence, that they both emerged in the late Seventies, that they thrived in the same grimy spaces. But ...
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