The Boston dance community is reeling. Jeremy Alliger, the dance presenter who founded Dance Umbrella in Boston in 1979, ...

Mike Flanagan’s ambitious update of Stephen King’s classic pairs a superb cast with social media cruelty and an expanding ...

The Blue Note Records president, producer, and bassist leads his Pan-Detroit Ensemble through original material and a ...

Welcome to “Poetry at The Arts Fuse.” A new poem every Thursday Sometimes people bathe in the fountain and gather bodily strength from the life- vibrations which have been set up in the water by the ...

At New York’s Art Students League, Robert Cenedella’s grotesque group portrait turns the MAGA elite into a gathering of ...

Mikey Madison shines as whistleblower Frances Haugen, but Aaron Sorkin’s Facebook drama preaches more than it provokes.

Dave Boyle’s atmospheric ghost story raises intriguing questions about sisterhood and the afterlife, then buries them beneath ...

Dawn M. Simmons directs a taut Southern Gothic thriller in which thwarted longing and the promise of escape turn a Georgia household into a cauldron of suspicion.

A diary of shows attended — good, bad, and indifferent — at this year’s Big Ears Festival, as well as comments on some of the nonmusical joys and hassles. Editor’s Note: For years I’ve been hearing ...

His threatened destruction of the nation’s living memorial to John F. Kennedy exposes not merely an assault on a building, but the petty authoritarianism, civic vandalism, and cultural contempt ...

2022 was a year in which hybrid musical forms reached more Boston audiences than ever before. 2023 promises to open even more doors. The Place Between is no longer dangerous territory, a detour, or a ...

Freedom of expression is a more precious commodity than taste. Conservative critics were very clear about their moral imperative; they confidently vilified artists and terrorized institutions. No one ...