Mad About The Boy scored a huge £10.2m opening weekend – the second-biggest ever for a romantic comedy at the UK-Ireland box ...

David Tennant’s return as host for the 2025 Bafta Film Awards picked up the same number of UK viewers as his first stint last ...

All I Had Was Nothingness is, in a way, the CliffsNotes to Shoah: it’s a documentary on how Lanzmann made the film, using ...

This was a seemingly a personal project for director Toshizo Fujiwara, an actor who has also served for many years as a ...

With its taut pacing, dark humour and astringently satirical tone, Hysteria should considerably boost Büyükatalay’s profile.

Can’t quite make up its mind whether it’s a crime thriller or a domestic drama Qu flexes her genre muscles from the opening scene, which shows poor Tian Tian shackled in some kind of drug dungeon, in ...

Hornclaw (Hyeyoung Lee), a veteran assassin in her mid-sixties, is a legend; she is the most icily efficient operative in her ...

Take That took to the stage for a performance of ‘Greatest Day’ which is used in the opening sequence of double-winner Anora.

Creative Europe Media would likely welcome an application from the UK to re-join as negotiations for the next cycle of the EU ...

Paris-based sales house MPM Premium has sold Rohan Parashuram Kanawade’s Indian LGBTQ+ drama Cactus Pears to Salzgeber for ...

Conclave and The Brutalist shared out the major prizes at the 2025 Bafta Film Awards, with four prizes each. Edward Berger’s ...

All I Had Was Nothingness director Guillaume Ribot tells Screen about opening a window into Claude Lanzmann's filmmaking ...