Regan Linton reimagines Roosevelt as an openly disabled role model in an immersive new play, now running at Denver Center for ...

Yes, it’s a play named for a kind of mouse trap, but it’s got nothing to do with Agatha Christie. Nadia Hopkins’s Humane Traps, the recipient of this year’s Relentless Award, is a weirdly funny, ...

Ryan J Haddad's first full ensemble play at the Public tells the bittersweet intergenerational story of the theatre-loving ...

A nonprofit turnaround specialist makes an evidence-based case for spinning off mission-driven new work from theatres’ board-supported mainstage programming.

A notorious play draws protests, a theatre impresario expands his empire, an Off-Off-Broadway mainstay gets its start, and ...

The author of this intriguing meta-play, the full script of which appears in our Fall 2026 issue, talks about its inspirations and its unique form.

In celebration of Spiderwoman Theater’s 50th anniversary, this global festival brings Indigenous artists to NYC.

We shouldn’t mistake the end of a funding arrangement for the end of the culture that funding once carried. This summer, one of the most powerful men in the American nonprofit theatre stood up and ...

Sasha’s 82-year-old mother has lived in Kyiv her whole life. When Russia invades Ukraine, Sasha copes by imagining her mother in increasingly fantastical situations: strategizing with President ...

My journey is not unique: Opportunities for playwrights to see their work fully produced right away—or at least close to the moment of inspiration—have largely disappeared. This was not always the ...