A historical classification for typefaces that reference elements of human penmanship, but do so in a more ordered and structured form.

EB Garamond is intended to be an excellent, classical, Garamond. It is a community project to create a revival of Claude Garamont’s famous humanist typefaces from the mid-16th century.

Amiri is a classical Arabic typeface in Naskh style for typesetting books and other running text. Its design is a revival of the beautiful typeface pioneered in early 20th century by Bulaq Press...

Classic, elegant, sober and strong, the Quattrocento typeface has wide and open letterforms. The generous x-height makes it very legible for body text at small

The design of new Greek typefaces always followed the growing needs of the Classical Studies in the major European Universities.

Cinzel is a typeface inspired in first century roman inscriptions, and based on classical proportions. However it’s not a simple revivalism, while it conveys all the ancient history of the …

Aref Ruqaa is an Arabic typeface that aspires to capture the essence of the classical Ruqaa calligraphic style. The Latin part is based on AMS Euler, but spaced for regular text rather than...

"Cactus Classical Serif" is an open source font suitable for Traditional Chinese environments. This font uses inherited glyphs, largely adhering to the Inherite

Vesper has a classical foundation, but with an entirely modern appearance, making reading comfortable, but never boring. Vesper's Devanagari design was started by Rob Keller in 2006 …

"Chocolate Classical Sans" is an open source font suitable for Traditional Chinese environments. This font uses inherited glyphs, largely adhering to the Inheri